Статьи, вошедшие в этот сборник, посвящены одной теме и одному обширнейшему региону, который условно называют Восток.
Анализируя народную картинку и ритуальную роспись, кинематограф и народные зрелищные искусства, традиционное ремесло и современные художественные промыслы, авторы сборника обсуждают вопросы специфики повседневных артпрактик, домашнего бытового искусства, особенности локальных трансформаций классических текстов, функционирования авторского творчества в системе городского фольклора. Комплексный исследовательский подход показал, что для народного искусства характерно наличие целостной системы художественных форм, направленных на выстраивание особых культурных моделей, необходимых для хранения, освоения, воспроизводства и передачи основных духовных, этических и социальных ценностей.
Для искусствоведов, культурологов и широкого круга читателей, интересующихся народным творчеством.
Folk Arts of the Orient: Structure, Aesthetic Features and Definitions.
The articles in this anthology are dedicated to one issue and one vast region, which is conventionally called the East. Analyzing folk picture and ritual wall-paintings, movies and folk spectacular arts, traditional and contemporary crafts, the authors of the anthology discuss the issues of everyday life art practices specifics, the peculiarities of classical texts' local transformations, the problems of functioning of the personal creative vision in the system of urban folklore. Complex research experience has shown that folk art is characterized by the comprehensive whole of artistic forms aimed at building specific cultural models, necessary to save, master, reproduce and communicate the major spiritual, ethical and social values.
Stati, voshedshie v etot sbornik, posvyashcheny odnoy teme i odnomu obshirneyshemu regionu, kotoryy uslovno nazyvayut Vostok. Analiziruya narodnuyu kartinku i ritualnuyu rospis, kinematograf i narodnye zrelishchnye iskusstva, traditsionnoe remeslo i sovremennye khudozhestvennye promysly, avtory sbornika obsuzhdayut voprosy spetsifiki povsednevnykh artpraktik, domashnego bytovogo iskusstva, osobennosti lokalnykh transformatsiy klassicheskikh tekstov, funktsionirovaniya avtorskogo tvorchestva v sisteme gorodskogo folklora. Kompleksnyy issledovatelskiy podkhod pokazal, chto dlya narodnogo iskusstva kharakterno nalichie tselostnoy sistemy khudozhestvennykh form, napravlennykh na vystraivanie osobykh kulturnykh modeley, neobkhodimykh dlya khraneniya, osvoeniya, vosproizvodstva i peredachi osnovnykh dukhovnykh, eticheskikh i sotsialnykh tsennostey. Dlya iskusstvovedov, kulturologov i shirokogo kruga chitateley, interesuyushchikhsya narodnym tvorchestvom. Folk Arts of the Orient: Structure, Aesthetic Features and Definitions. The articles in this anthology are dedicated to one issue and one vast region, which is conventionally called the East. Analyzing folk picture and ritual wall-paintings, movies and folk spectacular arts, traditional and contemporary crafts, the authors of the anthology discuss the issues of everyday life art practices specifics, the peculiarities of classical texts' local transformations, the problems of functioning of the personal creative vision in the system of urban folklore. Complex research experience has shown that folk art is characterized by the comprehensive whole of artistic forms aimed at building specific cultural models, necessary to save, master, reproduce and communicate the major spiritual, ethical and social values.
Articles included in this collection devoted to one subject and one vast region, which is conventionally called the East.
Analyzing people's image and ritual painting, cinema and folk performing arts, traditional crafts and modern arts and crafts, authors of the book discuss the specifics of everyday attractic, household art, especially of local transformations of classical texts, the functioning of the copyright work in urban folklore. A comprehensive research approach has shown that folk art is characterized by an integrated system of art forms aimed at building the particular cultural patterns necessary for the storage, development, reproduction, and transmission of essential spiritual, ethical and social values.
For art historians, culturologists and a wide range of readers interested in folk art.
Folk Arts of the Orient: Structure, Aesthetic Features and Definitions.
The articles in this anthology are dedicated to one issue and one vast region, which is conventionally called the East. Analyzing folk ritual picture and wall-paintings, movies and spectacular folk arts, traditional and contemporary crafts, the authors of the anthology discuss the issues of everyday life art practices specifics, the peculiarities of classical texts' local transformations, the problems of functioning of the personal creative vision in the system of urban folklore. Complex research experience has shown that folk art is characterized by the comprehensive whole of artistic forms aimed at building specific cultural models, necessary to save the master, reproduce and communicate the major spiritual, ethical and social values.
